The power of the arts to sustain communities and to affect political and social change is a key focus of In Place Of War, a project that has been researching art in sites of conflict for over ten years. The project has many partners creating, or trying to create, their own cultural spaces. This project will formalise a global network of cultural spaces in sites of conflict, war and upheaval and explore what role they play.
‘Sisterhood is global’, claimed feminists during the ‘second wave’ (1960s–1980s). The fact that those in the northern hemisphere tended to skim over the differences between women’s situations globally as well as power relations within feminist groups, has been duly critiqued since, mainly by women in post-colonial societies and non-white women in the West.
Purikura are Japanese photo booths, which have remained a prevalent and influential form of vernacular photography for almost two decades. Since 1995, purikura has been driven by female consumers between the ages of 16–25, who also participate in other subcultural movements in fashion, music and anime fandoms. The social and technological facilitations of gender, performance and representation found in purikura are inextricably linked with the lived experience of being a young woman in Japan, but have much to tell us about conceptualisations of gender itself.
The marine ecosystems of the Early Jurassic have been yielding their secrets since the days of Mary Anning (1799–1847) who excavated fossils from the Dorset coast. One might think there was little more to discover in the South of England, yet there is at least one exceptional fossil site, excavated in the 1840s, but essentially ignored since then: Strawberry Bank in Ilminster, Somerset.
The Nagara tradition of temple architecture has been the predominant northern Indian tradition since its formative stages in the fourth and fifth centuries CE. A subtle architectural language was created, drawing on the imagery of earlier timber forms. The concept of a formal type was central, but the shrine types were not static and fixed. Temple architects developed increasingly complex designs through combinations of different types in composite arrangements, drawing forth new designs from old ones.
Many of us will be familiar with the experience of inadvertently copying someone else’s accent. While such mimicry might get you mocked, as it has for David Miliband recently when he adopted Russell Brand’s cockney accent during the election campaign, it is, in fact, an important signal that we use to try to convey a sense of similarity between ourselves and others. We don’t only mimic accents, we mimic others’ body postures, mannerisms, and facial expressions, and we seem to do this unconsciously.
High in the hills steep gradients lead to raging torrents in the streams. Hillstream loaches are a group of fishes specialised to cope with these violent high-speed flows. These fishes have evolved an array of adaptations to reduce drag and to stick to the bottom, equivalent to the downforce generating wings and skirts of F1 racing cars, and drag-reducing riblet skin-architecture of Mako sharks. However, the conditions hillstream loaches live in are more severe than either Mako sharks or F1 cars experience.
Our Solar System has orbited the Milky Way galaxy approximately twenty times since it formed 4.6 billion years ago, and during this time it will have been exposed to a wide range of galactic environments (Figure a). Reconstructing this history would provide astronomically valuable information on the structure and evolution of this galaxy. In addition, because galactic events may influence life on Earth, knowledge of the galactic environment through time is of interest in assessing the past habitability of our own planet.
In contrast to what may perhaps be expected, musical communication is at the heart crossmodal, not unimodal. It is true that audition is central to typical musical experiences (e.g. listening over headphones), and musical sounds receive meaning in reference to each other (e.g. one tone forms the bass with respect to a higher melody tone). Nevertheless, when music is acoustically produced and when musicians perform together, music is as much a physical and visual activity as an auditory one.